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・ Larry Snyder
・ Larry Soderquist
・ Larry Solway
・ Larry Sonsini
・ Larry Sontag
・ Larry South
・ Larry Sparks
・ Larry Speakes
・ Larry Speck
・ Larry Spencer
・ Larry Spokes
・ Larry Spotted Crow Mann
・ Larry Spriggs
・ Larry Springer
・ Larry Squire
Larry Stabbins
・ Larry Stahl
・ Larry Stallings
・ Larry Stanley
・ Larry Starcher
・ Larry Stark
・ Larry Station
・ Larry Stauber
・ Larry Staverman
・ Larry Steele
・ Larry Steers
・ Larry Stefanki
・ Larry Stegent
・ Larry Steinbach
・ Larry Stensvold


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Larry Stabbins : ウィキペディア英語版
Larry Stabbins
Larry Stabbins (born 9 September 1949 in Bristol) is a British jazz saxophonist, flutist and composer.
==Biography==
Larry Stabbins learned clarinet at school from the age of eight, when his musical idol was Acker Bilk. He started playing saxophone at the age of eleven. He was soon playing in local dance bands, doing his first paid gig aged twelve, and later also playing, in soul bands such as Bristol group The Strange Fruits, particularly the music of Junior Walker and James Brown. He started working with pianist Keith Tippett when he was sixteen and later contributed to various Tippett projects such as Centipede, Ark, Tapestry and the Keith Tippett Septet. In addition the two also worked for a time in a trio with South African percussionist Louis Moholo.
In London in the early 1970s, after a brief period in the Chris McGregor’s Brotherhood of Breath, he played with John Stevens’ Spontaneous Music Orchestra, and occasionally with the Spontaneous Music Ensemble (SME). During this period he also worked as a freelance commercial musician, playing studio sessions, nightclubs and West End shows, as well as playing in more jazz-based situations such as Mike Westbrook’s 'Solid Gold Cadillac'.〔Wickes, J. 1999, ''Innovations In British Jazz'', Soundworld Publishers, ISBN 1-902440-01-3, p.133〕 In the 1980’s he joined the Tony Oxley Quintet and played in various versions of the band and also with the Celebration Orchestra, for many years.
Around the same time he joined the London Jazz Composers Orchestra as well as Peter Brotzmann’s Alarm Orchestra and its successor the tentet 'Marz Combo'. He also worked with, among others, the Eddie Prevost Quartet, Trevor Watts’ Moire Music, Louis Moholo’s Spirits Rejoice, Elton Dean’s Ninesense and the Heinz Becker Quintet.

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